Raga Shuddha Sarang
Rudra Veena
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Artiste Gharana Bande Ali Khan Gharana
Artiste Name Pt. Ramachandra Hegde
On Accompaniment Shubramanya Hegde
On Tabla Vinayak Bhat
In this Rudra Veena Classroom video of 45 mins, Pandit Ramachandra Hegde gives the explanation of the Raga initially. Then starts with Raga improvisation with beautiful Aalap and then Jod Aalap In Shuddha Sarang.
Going further the artiste plays a serene Bandish in madhya laya Jhap Taal and after playing intricate Taans in the Raga he concludes the Raga improvisation.

Please find the following comprehensive written practice elements for Raga Shuddha Sarang in Rudra Veena given by Pandit Ramachandra Hegde on this extensive learning page.
*Do note that many of the Raga practice elements given for one instrument can be practiced in other instruments as well.
-
Raga Details
Raga Name
Shudh Sarang
That
Kafi
Rasa
Time
Afternoon
Jati
Audhav-Shadhav
Scale
Pentatonic- Hexatonic
Vadi
Rishabh(R)
Samvadi
Pancham(P)
Ascending
Ṇ S R M P N Ṡ
Descending
Ṡ N DP M P m R Ṇ S
Swaras : Sa, Re, Teevra Ma, Shudh Ma, Pa, Dha, Ni
|
R > > |
m >R > > |
RMP > |
MP > > |
MP >m >R > |
m >R > |
Ṇ >S |
S > > |
Raga Pakad
|
ṆS |
R > > |
m >R |
m > >R |
S Ṇ > > |
ṆS |
R > > |
S > > |
|
Ṇ S |
R >M > |
M >P > > |
R > >MP |
N > > |
N >DP |
PMP |
MP |
|
mR > > |
mR > > |
S Ṇ |
S > > |
Raga Chalan
Practice Alankaras in Raga Shuddh Sarang
Alankara I:
|
Aroha |
SRm |
RMP |
MPN |
PN Ṡ |
||
|
Avaroha |
ṠND |
NDP |
DPM |
PMR |
SRS |
Alankara II:
|
Aroha |
SRMP |
RMPN |
MPN Ṡ |
||||
|
Avaroha |
Ṡ NDP |
NDPM |
DPMR |
RmRS |
Aalap in Raga Shuddh Sarang
|
Ṇ SRM |
P > > |
RMP > |
N > >PN > |
N > > |
Ṡ > |
Ṡ |
MP~Ṡ |
|
MPN > > |
Ṡ > > |
||||||
|
RmPN > > |
N > > |
Ṡ > > |
Ṡ > > |
Ṡ > > |
Ṡ~N > > |
DP > |
MP |
|
MP |
N > > |
Ṡ > > |
|||||
|
P~Ṡ > > |
Ṡ > > |
N > >DP |
MP > > |
ṘN Ṡ |
ND PMP |
MP > |
MP > |
|
m >R > > |
Ṇ~S |
Raga Shuddh Sarang - Composition
Bandish in Jhaptaal
|
Asthayi |
||||||||||
|
Dhi |
Na |
Dhi |
Dhi |
Na |
Ti |
Na |
Dhi |
Dhi |
Na |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
|
|
ṆS |
R> |
M> |
||||||||
|
P |
> |
m |
> |
R |
Ṇ |
S |
||||
|
Ṇ |
S |
R |
||||||||
|
R |
S |
Ṇ |
S |
Ṇ |
Ḍ |
P̣ |
||||
|
Antara |
||||||||||
|
Dhi |
Na |
Dhi |
Dhi |
Na |
Ti |
Na |
Dhi |
Dhi |
Na |
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
|
|
RM |
P> |
N> |
||||||||
|
Ṡ |
> |
Ṡ |
> |
Ṡ |
Ṡ |
Ṡ |
||||
|
Ṡ |
N |
N |
> |
DP |
||||||
|
M |
P |
mm |
RR |
ṆS |
Ṇ |
S |
||||
Taan - Palta - Layakari Patterns
10 Beats Taan:
|
ṆS |
RS |
RM |
PM |
MP |
DP |
MP |
mR |
|
Rm |
RS |
10 Beats Taan :
|
P̣ Ṇ |
SR |
ṆR |
S> |
RM |
PM |
MD |
P> |
|
mm |
RS |
12 Beats Taan:
|
ṆS |
RR |
RM |
MM |
MP |
PP |
DD |
PP |
|
MP |
MP |
mm |
RS |
8 Beats taan:
|
ṆS |
RS |
RM |
PM |
MP |
DP |
RM |
RS |
