Raga Jhinjhoti
Bansuri
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Artiste Gharana Maihar Senia Gharana
Artiste Name Shri Venugopal Hegde
On Tabla Shri Shrihari Diggavi
In this Bansuri Classroom video of 55 mins, Shri Venugopal Hegde explains the raga, then starts the improvisation with beautiful Aalap in Jhinjhoti.
Going further, the artiste plays serene bandishes in Madhya Laya Jhap Taal, Dhrut Ektaal, and Dhrut Teen Taal. After presenting intricate taans in the raga, he concludes the raga improvisation.
Please find the following comprehensive written practice materials for Raga Jhinjhoti on Bansuri, provided by Shri Venugopal Hegde on this extensive learning page.
*Do note that many of the raga practice materials provided for one instrument can also be practiced on other instruments.
Raga Details
| Raga Name | Jhinjhoti | That | Khamaj |
| Rasa | Time | Night | |
| Jati | Audhav-Sampoorna | Scale | Pentatonic- Heptatonic |
| Vadi | Gandhar(G) | Samvadi | Dhaivat(D) |
| Ascending | S R m P N Ṡ | Descending | : Ṡ n D P m G R S |
| Swaras in this raga : | Sa, Re, Ga, ma, Pa, Dha, Komal Ni, | ||
| P̣ Ḍ> | SR | G>> | ḌS | Rm> | G>> | SR m> | P>> |
| Rm PD | n>> | PD Ṡ>> | |||||
| Ṙn> | D> P>> | mGR> | mG> | Ḍ SR mG> | RS>> | ṇ Ḍ P̣ Ḍ | S>> |
Raga Chalan
Raga Practice Alankaras
AlaNkara I:
| Aroha | P̣ Ḍ S RG | ḌS RmP | SR mPD | RmPD Ṡ |
| Avaroh | Ṡn DPm | nD PmG | DPmGR | Pm GRS |
| mG R S ṇ | GR S ṇ Ḍ | RS ṇ Ḍ P̣ |
AlaNkara II:
| Aroha | P̣ Ḍ P̣ Ḍ SRG | ḌS ḌS RmP | SR SR mPD | Rm Rm P D Ṡ |
| Avaroh | Ṡn Ṡn DPm | ND ND PmG | DP DP mGR | Pm Pm GRS |
| mG mG RS ṇ | GR GR S ṇ Ḍ | RS RS ṇ Ḍ P̣ |
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
Aalap in Raga Jinjoti
Mandra – Madhya Saptak Aalap I
| S > > | S > > | S ṇ > > | ṇ > > | ṇ Ḍ > > | S > > | Ḍ S > | S > > |
| S > > | ḌS RS | ṇ > > | ṇ > > | Ḍ > > | Ḍ > > P̣ > > | P̣ > ṃ > | P̣ > > |
| P̣ > Ḍ ṇ > | Ḍ > > P̣ > > | P̣S ṇ > > | ṇ > Ḍ > | S > > | |||
| P̣ > Ḍ | S ṇ R S ṇ > | ṇ > > | ṇ > Ḍ > > | ṇ Ḍ P̣ > > | S > ṇ > | Ḍ S > > | S > > |
| S > | R > > | R >ṇ > > | Ḍ > > | Ḍ > n Ḍ P̣ > | P̣ Ḍ > S > > | Ḍ S R > | R > > ṇ > > |
| Ḍ~R > | ṇ > > | ṇ >Ḍ | P̣ Ḍ S > > | S > > |
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
Raga Jinjoti - Composition
Bandish in Jhaptaal:
| Asthayi | |||||||||
| Dha | Dhin | Dhin | Dha | Dha | Dhin | Dhin | Dha | Dha | Tin |
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
| P̣>>Ḍ | >>S> | >>R> | |||||||
| G> | >m | G>>R | S> | Rm GR | S ṇ | Ḍ ṇ | |||
| G>>R | S>R> | >m>> | |||||||
| P> | P> | mP | D Ṡ | nD | Pm | GR | |||
| Aantara | |||||||||
| Dha | Dhin | Dhin | Dha | Dha | Dhin | Dhin | Dha | Dha | Tin |
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
| >>R> | m>P> | >D>> | |||||||
| Ṡ> | D Ṡ | Ṙ ṁ | Ġ> | Ġ> | Ṙ Ṡ | ||||
| Ġ>>R | >>S> | >nD> | |||||||
| n> | D> | Rm | Pn | D> | P> | >, n | |||
| DP | mG | Rm | |||||||
| P> | >m | G>>R | S> | RmGR | S> ṇ> | Ḍ ṇ | |||
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
Taan ~ Palta ~ Layakari Patterns
7 Beats Taan:
| P̣ Ḍ | SR | Ḍ S | Rm | GR | S ṇ | Ḍ P̣ | ḌS |
8 Beats Taan:
| ḌS | Rm | SR | mP | nD | Pm | GR | SS |
8 Beats Taan:
| ḌS | Rm | SR | mP | Rm | PD | Ṡn | DP | nD | Pm |
| DP | mG | RR | S> |
16 Beats Taan :
| ḌS | R, S | Rm | Rm | Rm | Pm | PD | PD |
| Ṡn | DP | nD | Pm | DP | mG | RS | ḌS |
32 Beats Taan:
| P̣ Ḍ | P̣ Ḍ | SR | ḌS | ḌS | Rm | SR | mP |
| ḌS | ḌS | Rm | SR | SR | mP | Rm | PD |
| Rm | PD | Ṡ Ṙ | ṁ Ġ | Ṙ Ṡ | nD | Pm | GR |
| SR | mP | D Ṡ | nD | Pm | GR | mG | RS |
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
