Raga Gaud Sarang
Vocal
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Artiste Gharana Atroli Gharana
Artiste Name Vidushi Shruti Sadolikar
On Accompaniment Shri Anant Joshi
On Tabla Shri Abhay Datar
In this Vocal Classroom video of 45 mins, Vidushi Shruti Sadolikar explains the raga, then starts the improvisation with beautiful Aalap in Gaud Sarang.
Going further, the artiste recites serene bandishes in Teentaal. After presenting intricate taans in the raga, she concludes the raga improvisation.

Please find the following comprehensive written practice materials for Raga Gaud Sarang on Vocal, provided by Vidushi Shruti Sadolikar on this extensive learning page.
*Do note that many of the raga practice materials provided for one instrument can also be practiced on other instruments.
Raga Details
| Raga Name | Gaud Sarang | That | Kalyan |
| Rasa | Shanta-Shringara | Time | Late Afternoon |
| Jati | Vakra Sampoorna | Scale | Heptatonic |
| Vadi | Gandhar(G) | Samvadi | Dhaivat(D) |
| Ascending | S G RmG, P>> P~ Ṡ | Descending | Ṡ DP mG MP mG mRS |
| Swaras in this Raga | Sa, Re,Ga, ma, Teevra Ma, Pa, Dha, Komal Ni, Ni | ||
| P~R> | S>> | Sg | mg>> |
Raga Pakad
| SrS> | SG> | Rm> | G>> | m> | G>> | R~m>G | mG |
| mRS>> | S> |
Raga Chalan
Aalap in Raga Gaud Sarang
Mandra -Madhya Saptak Aalap I
| S > > | S > > | SRS > | S > Ḍ > | P̣ > > | P̣ > > | S > > | RS > > |
| SRS > > | SG > | Rm > | G > > | m > G > > | R~m > | G > > | mG |
| mRS > > | |||||||
| GmR > | SRS > | G > | RmG > > | ṆS > | GR > | MG | P~RS > > |
| SR > | S > > | S~m >G | RG | RmG > > | S~G > | S~m > | G > > |
| SG > > | SG > | S > > | mG > > | mG > | Gm Gm | RG | RmG > |
| mRS > | S > > |
Raga Gaud Sarang Bandish - Composition
| Bandish in Teentaal | |
| Asthayi | Antara |
| Piyu Palana Lagi Mori Akhiya,
Aali bina Piyu mora Jiya Gabarave, Chaina Nahi Ave Ghadi Pala China Dina. |
Beera Patakava Le ja Sandesava,
Piya sana Kahiyo Hamare Bita, Tumhare Darasa Ke Biraha |
| Asthayi | ||||||||||||||||
| Dha | Dhin | Dhin | Dha | Dha | Dhin | Dhin | Dha | Dha | Tin | Tin | Ta | Ta | Dhin | Dhin | Dha | |
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | |
| P | P | G | m | R | S | > | R | Ṇ | S | |||||||
| Pi | yu | Pa | la | na | La | > | gi | Mo | ri | |||||||
| G | R | m | G | > | > | |||||||||||
| A | khi | ya | > | > | > | |||||||||||
| S | Ṇ | R | S | P | M | D | P | P Ṡ | Ṙ Ṡ | D | P | |||||
| Aa | li | Bi | na | Pi | yu | Mo | ra | Ji> | ya> | Gha | ba | |||||
| PD | PP | m | G | |||||||||||||
| ra> | >> | ve | > | |||||||||||||
| G | m | > | R | S | R | Ṇ | S | P | D | M | P | |||||
| Chai | > | > | na | Na | hi | Aa | ve | Gha | di | Pa | la | |||||
| G | m | R | Gm | P | R | > | S, | G | m | R | ||||||
| Chi | na | di | na> | > | Rai | > | na, | Pa | la | na | ||||||
| Antara | ||||||||||||||||
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | |
| P | P | P | P | P | n | D | P | |||||||||
| Be | > | ra | Pa | ta | ka | va | > | |||||||||
| Ṡ | > | Ṡ | Ṡ | Ṡ | Ṙ | Ṡ | > | |||||||||
| Le | > | ja | San | de | sa | va | > | |||||||||
| N | Ṡ | Ġ | Ṙ | Ṡ | N | D | P | |||||||||
| Pi | ya | Sa | na | Ka | hi | ye | > | |||||||||
| G | R | G | m | G | > | > | > | |||||||||
| Ha | ma | re | Bi | ta | > | > | > | |||||||||
| G | m | R | R | S | R | S | PP | |||||||||
| Tu | ma | re | Da | ra | Sa | Ke | Bira | |||||||||
| PP | N Ṡ | Ġ Ṙ | Ṡ N | DP | MG | RS | ṆS | |||||||||
| Ha> | >> | >> | >> | >> | >> | >> | >> | |||||||||
Taan ~ Palta ~ Patterns
28 Beats Taan:
|
PP |
N Ṡ |
Ġ Ṙ |
Ṡ N |
Ṙ Ṡ |
ND |
PM, |
Ṡ> |
|
ND |
PM |
DP |
Pm |
Gm |
RS |
S> |
S> |
|
P> |
Ṡ> |
Ġ> |
Ṁ Ṗ |
ṁ Ṙ |
Ṡ Ṡ |
Ṙ Ṡ |
ND |
|
PP |
mG |
mR |
SS |
|