Raga Bhimpalasi
Vocal
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Artiste Gharana Gwalior Gharana
Artiste Name Shri Satish Bhat
On Accompaniment Shri Nagaraj Hegde
On Tabla Shri Gururaj Adakol
In this Vocal Classroom video of 40 mins, Shri Satish Bhat explains the raga, then starts the improvisation with beautiful Aalap in Bhimpalasi.
Going further, the artiste plays serene bandishes in Teen Taal. After presenting intricate taans in the raga, he concludes the raga improvisation.
Please find the following comprehensive written practice materials for Raga Bhimpalasi on Vocal, provided by Shri Satish Bhat on this extensive learning page.
*Do note that many of the raga practice materials provided for one instrument can also be practiced on other instruments.
Raga Details
| Raga Name | Bhimpalasi | That | Kafi |
| Rasa | Shanta,Bhakti and Shringar | Time | Second Prahar of the day |
| Jati | Audhav- Sampoorna | Scale | Pentatonic-Heptatonic |
| Vadi | Madhyam(m) | Samvadi | Shadja(S) |
| Ascending | ṇ S g m P n Ṡ | Descending | Ṡ n D P m g R S |
| Swaras in this raga : Sa, Re, Komal ga, ma, Pa, Dha, Komal Ni | |||
| ṇ | S | m > > | m | g | m | P > | P | mg |
| g > | m | g | R | S > > |
Raga Pakad
| ṇ > > | S > > | S > | R > > | S > > | R > | ṇ > |
| ṇ > > | S > > | S > | ṇ > > | S > | ṇ > | S > > |
| ṇ | S | mg > > | R > | S > > | S~m > > | gm > |
| g >R > | Sṇ > | S > | gm > > | P | g > | m > > |
| P > | m > | P > > | P > > | P > > | mp > | gm > > |
| P g > | mg > | R > | S > |
Raga Chalan
Practice Alankaras in Raga Bhimpalasi
Alankara I:
| Aroha | ṇSgm | SgmP | gmPn | mPn Ṡ | |||
| Avaroh | ṠnDP | nDPm | DPmg | PmgR | mgRS |
Alankara I:
| Aroha | ṇS gR Sṇ S> | mP DP mg m> | nṠ ġṘ Ṡn Ṡ> | |
| Avaroh | Ṡn DP mP m> | nD Pm gm g> | Pm gm gR S> |
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
Aalap in Raga Bhimpalasi
Mandra – Madhya Saptak Aalap I
| ṇ > > | S > > | R > > | S > > | R >ṇ > | S > > | ṇ > > | S > > |
| S > ṇ > | S > ṇ > | S > > | ṇ S | ṇ S | g R > > | S > > | |
| ṇ > > | ṇS mg | R >S | ṇ > > | P̣ >ṇ | S > > | g > | R > |
| S > | |||||||
| R ṇ S > > | m > > | m > > | mg RS > | S >g > | m > > > | m P gm > | S g m > > |
| m > > | m Pg > > | R > S | ṇ > S > > | ||||
| m > PmP > > | mg RS | gmP > | P > > | mP > > | Pgm > > > | P > > > | mDP > |
| Pm Pg > > | mg R > | S > > |
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
Raga Bhimpalasi Bandish - Composition
| Bandish in Teentaal | |
| Asthayi | Antara |
| Biraj Me Dhuma Machayo Shyama,
Kaise Sakhi Main Jaun Apane Dhama |
Sabha Sakhiyana Sanga Hori Khelat Hai,
Akhiyan Darata Gulal |
| Asthayi | ||||||||||||||||
| Dha | Dhin | Dhin | Dha | Dha | Dhin | Dhin | Dha | Dha | Tin | Tin | Ta | Ta | Dhin | Dhin | Dha | |
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | |
| Bi | ra | ja | me | > | ||||||||||||
| n | d | P | g | m | ||||||||||||
| Dhu | > | ma | ma | cha | > | yo | > | Shya | > | m | ||||||
| P | > | P | P | g | S | g | m | g | R | S | ||||||
| > | Kai | se | Sa | khi | ||||||||||||
| > | S | R | ṇ | S | ||||||||||||
| Main | > | Ja | vun | A | pa | ne> | > | Dha | > | m | ||||||
| m | P | g | m | P | n | Pn | ṠṘ | n | D | P | ||||||
| Antara | ||||||||||||||||
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | |
| Sa | ba | sa | khi | ya | na | San | ga | ho | > | ri | khe | la | ta | hai | > | |
| P | P | P | P | m | P | g | m | P | > | n | n | Ṡ | Ṡ | Ṡ | > | |
| A | khi | ya | na | Da | ra | ta | Gu | la | > | la | ||||||
| P | n | Ṡ | ġ | Ṙ | Ṡ | n | Ṡ | n | D | P | ||||||
Taan - Palta - Layakari Patterns
8 Beats Taan :
| Sg | mP | gm | Pn | mP | n Ṡ | Pn | Ṡ> |
8 Beats Taan :
| mg | mg | RS | ṇS | nD | Pm | gR | S> |
12 Beats Taan :
| ṇS | gm | Sg | mP | gm | Pn | mP | n Ṡ | Ṡn | DP | mg | RS |
16 Beats Taan :
| Sg | mg | mg | RS | gm | Pn | DP | mP |
| gm | Pn | Ṡn | DP | Ṡn | DP | mg | RS |
32 Beats Taan :
| Sg | Sg | mg | RS, | gm | gm | Pm | gm, |
| Pn | Pn | Ṡn | DP, | Ṡn | DP | mg | RS, |
| ṇS | gm | Pn | Ṡ>, | Pn | Ṡn | DP | mP |
| gm | Pg | mg | RS, | Pm | gm | gR | S> |
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
This sub section of the Raga classroom is accessible to the members of Sangeetapriya academy of music.
Please become of member of our website to access this page.
Raga Bhimpalasi Classroom Study
* Categorised in respect to seniority of the artistes
Raga Bhimpalasi In Rudra Veena
Classroom study featuring Raga details, Alankaras, Aalap, Taan patterns, Bandish, etc., accompanied by a detailed video.
Raga Bhimpalasi In Violin
Classroom study featuring Raga details, Alankaras, Aalap, Taan patterns, Bandish, etc., accompanied by a detailed video.
Raga Bhimpalasi In Bansuri
Classroom study featuring Raga details, Alankaras, Aalap, Taan patterns, Bandish, etc., accompanied by a detailed video.