Raga Ahir Bhairav Classroom
Explore Raga Ahir Bhairav in depth with masterclasses on the Vocal, Violin and Rudra veena. Each session is led by a maestro, offering insights into the nuances and beauty of this ancient raga.
Our sincere thanks to all the Artistes for the deeply informative, melodious Raga classroom video recordings and for giving us the elaborate written Raga study materials in the Sangeetapriya Raga Elements Learning System® structure.
Raga Ahir Bhairav Classroom Study
* Categorised in respect to seniority of the artistes
Raga Ahir Bhairav In Rudra Veena
Classroom study featuring Raga details, Alankaras, Aalap, Taan patterns, Bandish, etc., accompanied by a detailed video.
Raga Ahir Bhairav In Violin
Classroom study featuring Raga details, Alankaras, Aalap, Taan patterns, Bandish, etc., accompanied by a detailed video.
Raga Ahir Bhairav In Vocal
Classroom study featuring Raga details, Alankaras, Aalap, Taan patterns, Bandish, etc., accompanied by a detailed video.
Sangeetapriya Raga Elements Learning System®
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Sangeetapriya Raga Elements Learning System®
The Sangeetapriya Raga Elements Learning System® is an unique and elaborate learning system for studying and understanding the Ragas of Indian Classical Music. Here the integral core Raga learning elements in Indian classical music are given as an one extensive Raga study.
The SRELS has been developed by carefully studying and deeply understanding the intricacies of Indian classical music and the way Ragas are taught in different illustrious Gharanas by the Maestros to their students.
The structure of Raga learning elements given for each Raga are given below.
- Raga Classroom Video: Artistes explaining the Raga in detail and improvising the Raga extempore in their respective instruments. The structure of Raga learning elements given for each Raga are given below.
- Raga Details: Ascending and Descending movements of the Raga and Chalan - Pakad - The signature movements of the swaras/notes in the Raga.
- Practice Alankara: According to the Chalan of the Raga four types practice Alankaras are given - Sarala Alankara, Jod Alankara, Phirat Lankara and Gamaka Alankara
- Raga Alaap: Written gradual progression of the Alaap of the Raga - Mandra-Madhya Saptak Alaap, Madhya Saptak Aalap and Madhya-Tara Saptak Aalap.
- Bandish-Compositions in different Taals for the Raga
- Taan-Palta-Layakari: Advanced Raga improvisation techniques, consisting of Sarala Taan, Jod Taan, Sapat Taan, Gamaka Taan, Layakari Taan, Tihay and Chakradhaar Tihay.
Close –
“There came one and knocked at the door of the Beloved. And a voice answered and said, ‘Who is there?
‘The lover replied, ‘It is I.’
‘Go hence,’ returned the voice;’there is no room within for thee and me.’
Then came the lover a second time and knocked and again the voice demanded,’Who is there?’
“There came one and knocked at the door of the Beloved. And a voice answered and said, ‘Who is there?
‘The lover replied, ‘It is I.’
‘Go hence,’ returned the voice;’there is no room within for thee and me.’
